Showing posts with label nayarit. Show all posts
Showing posts with label nayarit. Show all posts

Monday, May 28, 2018

Exploring Little-Known Petroglyphs Off the Beaten Path in Nayarit, Mexico

"On this long volcanic rock, they would lay down the person selected for sacrifice. She would extend her legs toward the temple, and hold her head back here where the rock dips down. That's when they would cut her throat.  Take off the entire head."  The Huichol shaman was telling us about the past. We were an hour and a half from Puerto Vallarta, an hour from formerly sleepy surfer town of Sayulita, but we might as well have been on another planet. 



A breeze rattled the dry leaves along the dry creekbed in this isolated corner of the coastal state of Nayarit, Mexico. It sounded like rain. That's exactly what the gods who controlled the rains wanted. They wanted the blood to turn that sound, that suggestion of rain, into a reality.

I wondered if this was true and how they knew. I also wondered why there were so many "decapitator gods" in the Americas.  What was described reminded me of the Moche civilization of Peru.



If you were a part of the ceremony, how did you go from a calm quotidian existence to being  a part of a decapitation ceremony?  Just how much pulque, peyote, or whatever else they used would you have to imbibe?

In my mind thumped the joyous hooks and beats of the Swedish artist known as Avicii, of "Levels" and many others, and I could certainly understand the mass energy and euphoria of crowds.

Was the spraying of the victim's blood a cause for euphoric ululations? Of a faster pace of dancing and euphoric drumming and piping?  Or, was the ceremony dark and horror-tinged?

I shivered.  How did we get here in this unknown tributary flowing into the Pacific Ocean in a part of Mexico where Canadian and American tourists flocked to be a part of a so-far safe stretch of coastline, quickly converting itself into a tourist bubble?

Near Las Varas, where the new highway will shave an hour off the journey from Guadalajara, along with the dangerous curves and mountain passes of the Sierra Madre del Occidente, is the little mountain village of Alta Vista (high view), which lies around 10 km from the two-lane highway that takes people from La Peñita to Las Varas.

And, tucked away along the banks of a rocky little stream, and a more or less dry riverbed (in the dry season) are petroglyphs - carvings from the Huichol Indians, or from their preHispanic forebears.  Or, based on the way they have eroded in the last 10 years, it's possible that they were carved by some industrious stoneworkers who thought it might be a great way to attract government support.  I am not an expert, but Miguel did say that they look a lot more faint than they did just 10 years ago. Were they worn away by visits from tourists?  Have they become so popular with the shaman "soi-disant" the self-styled but well-meaning purveyor of emotional, psychological, and for the really self-actualizing (or at perhaps absolutely shameless), physical healing.



We tried Google Maps. It showed the town and a ceremonial center and museum. We went there. Nothing.

We tried Googling Alta Vista petroglyphs. There were many blog posts, Wordpress postings, websites that featured photos of the petroglyphs, and many with a blow-by-blow description of the hike. But, there were no maps and no details about how to actually find the petroglyphs except to assure the reader that there was absolutely no way to find the petroglyphs without the services of a guide.

We were not convinced. We went down one little cowpath and dirt road after another. No luck.

Finally, we asked someone in the town of Alta Vista how to find the petroglyphs. They said to go back down to the place where the road split into two directions and to inquire at the snack stand located there. It's weird to describe it this way, but that's the only way I know how to describe the little commercial center at the fork in the road.  It was an impromptu food stand that sold the kind of food people love to buy on the street -- tacos al pastor and such -- with the basics of water, soft drinks, etc.



We asked directions and immediately a young man offered to be a guide for 80 pesos, which was about 5 dollars -- and for all day.  I thought it was a sad commentary on income inequality - a young man was willing to work all day for 5 dollars (but in reality it only took 2 hours) when a toll road that took 30 minute to cross cost 200 pesos (around 11 dollars).  There is something wrong with that. But, I am not really in a position to comment about that.

We drove down the same highway we had gone down before, and just across the road from a field with a herd of "vacas flacas" (skinny cows), there was a small path with a gate fashioned of wood and barbed wire. Christopher hopped out and opened the gate.  It was not locked and presumably open to the public but there were no signs at all and presumably the public would need to know about this. Plus, the public would need to know that there were no cartels, drug trafficking or other kinds of trafficking to happen upon. It would not be good to stumble upon marijuana or opium poppy cultivation. Presumably Christopher would only take us places where he (and his clients) would be safe.

We headed down the path. To our left was a large guanábana orchard. Christopher entered and plucked a rather large and still quite green guanábana. "It will be ripe and ready to eat in 3 or 4 days," he said.

We drove farther down the path, past a mango orchard. We parked under a large, spreading mango tree (un mangal). We found ourselves at another fence, this time without a gate. Christopher lifted the wires so we could enter, and we did so without any problem at all.

Once past the wire, there was a small path into a clearing. This was the so-called "Ceremonial Center" of the "Pilar del Rey." There were hand-painted signs with neat lettering - white paint on black metal, in Spanish and then in English. The signs explained the function of the petroglyphs, the presence of a ceremonial center, and the culture of the people who lived here, who were antecedents of the Huichol.  The clearing was rather large, and so I supposed it must be a favorite location for small events or gatherings, although it was hard to imagine that it would be very easy to access.

The signs led us toward a creek bed where there were more signs and large rocks. The first sign described the meaning of the carvings, which were the petroglyphs. It indicated that the glyphs referred to the sun, the moon, directions, some sort of god figure, and human sacrifice.  It seemed highly interpretive to me.  We made our way through the leafy underbrush and I was quite glad we were in the dry season. It was warm, but not hot, and while it was a bit humid, it was very bearable.  I imagined that it would be more or less pure torture during the rainy season.  The leaves slapped my legs, but fortunately they were not thorny or wet. I was wearing khaki colored capris and they stayed unblemished.



We passed by more petroglyphs, some indicating the god of corn, others indicating a cross. The theory was that somehow some sort of Christian saint had visited before the arrival of Spaniards.

"Ockham's Razor," I thought to myself.  I could think of at least five more likely explanations for the appearance of what seemed to be a Cross of Malta on the rocks (and for the petroglyphs themselves).  It seemed much more likely to have carvings by Spaniards and settlers, even if simply to amuse themselves. But, I'm no anthropologist.

The rocks they claimed were part of a pyramid looked like the normal joints you'd see in volcanic rocks, but again, if you asked me what the mounds near Saint Louis were or what the hillocks were in Chiapas and the Yucatán, chances are, I would have attributed all to geological and geomorphological processes.




We arrived at a small pool fed by springs where a clutch of gaudily tattooed Mexicans and Canadians were smoking marijuana and stretched out on the rocks. On a ledge where people offered "ofrendas" (feathers, stacked rocks, yarn "eye of god" crafts, a dreamcatcher or two) a young man wearing a Huichol priest outfit with gorgeous embroidery was talking about the spiritual beliefs of the Huichol. He said that he often participated in dances in Sayulita and wore a deer skull. I asked if the Huichol believed in the animal spirits and visions of animal spirit guides. He said, "yes."



I thought of the Navajo sand painters who combined the painting with spiritual healing and thought he could go far if he combined some of the petroglyph shapes here with a kind of sand painting ceremony for healing.

I did not share my idea, though.  I had already asked him too many questions and I think I seemed a bit weird.

We made our way back and I laid out some coins that amounted to probably $1.50 at best. My ofrenda looked nice and shiny on the rock, and it was nice to think that it was Earth Day as well.

As we made our way back through the creek bed, past the ceremonial area and then squeezed through the barbed wire and opened up the car, I took a long drink of bottled water and reflected on the experience.

There was no doubt that it was totally inaccessible to someone who did not know precisely where it was. GoogleMaps had the ceremonial center far to the north of the town of Alta Vista.

The road to Alta Vista continued up into the mountains where they grew coffee that was supposedly some of the best in Mexico. I wondered if there were also poppies, as a bit farther along the coast in Sinaloa or Guerrero.

What would your garden grow?  I'd rather have a crop of petroglyphs.




Saturday, September 03, 2016

Review of Visme: Presentations, Photo Editing, Animations

I'm reviewing the free version of Visme (http://www.visme.co/) because I stalled around and let my free trial to the premium version expire before I had time to really work with the program.

There are quite a few sources of presentation templates and infographic software, and many are free. So, how does one wade through and finally decide which one to use? I like the idea of using quite a few of them.  Just for fun, I thought I'd create a collage with a few photos that I took along with some of the shapes in the Visme library of free items.

In order to use the graphic, I had to save it and then download it. With the free version, I can download a jpg graphic. But, with the  premium, I can save it as the following file types: PNG, PDF, and HTML5.

Visme graphic I created using the free version and playing with Visme's shape library and a few photos I took in Mexico.
Visme offers infographics, but most come with the premium version. If I had the premium version of Visme, I might prefer it. But, at the moment, my favorite infographic cloud-based software program is Canva (https://www.canva.com/). It is easy to use, and the built-in template give me endless inspiration and ideas. As with all infographics, planning is the most important part. What do you want to communicate? What is your message? Why do you need to communicate the message in infographic form? What are your advantages?

After you've determined what your purpose is and what you want your reader to do with the information (the famous "rhetorical situation"), you can start taking the next step.

Canva is great for infographics, and it also has presentations. But, so does Google slides. And, for that matter, PowerPoint's many online repositories can provide you with templates.

So where does Visme fit in?  To me, what makes Visme really special is what lies beneath the first slide -- in the depth and breadth of the presentation templates, and that they are very easy to animate.

They can also be connected to Screencast-o-matic for excellent and easy-to-make audio-accompanied screencasts.

But returning to Visme -- here are a few of the advantages: 
  1. Visme's tools are very professional and allow you customize more than you can with some of the other templates and interfaces
  2. The photo editor is very easy to use and powerful
  3. The font library is fun and very extensive
  4. The banners are perfect of quick construction of banner ads for placement on websites
  5. The simple charts and graphics within the infographics section are extensive. They're not free, though. 
How much does Visme cost?  Right now, there packages for free, $7 per month, and $15 per month. If you're a designer and you use Visme to build ads, etc. the price is certainly worth it.

I personally think that Visme would be a better solution if it also included a library of cut-out characters. It's really a pain to have to subscribe to five or six different services just to create the kinds of instructional or promotional materials that you want / need to create.

Here's a social media graphic (using the premium version) that I assembled using photos from Pawnee, Oklahoma, where a 5.6 earthquake in September 2016 impacted historical buildings, some much more than others.


That said (and all whining for a utopian solution aside), I like using Visme, and love the results. Here's just one experiment -- photos taken in Mexico and in downtown Tulsa on Cinco de Mayo 2016 at the Chihuahua races :) :)


Friday, September 02, 2016

Review of FotoJet: Cloud-Based Collage, Design, Photo-Editing

I'm always looking for cloud-based programs to help me with graphics. My favorite photo-editing program continues to be PicMonkey (http://www.picmonkey.com), but it's pretty limited when it comes to doing more than photo-editing and collages.

Plus, most of PicMonkey's best features are "premium" and so if I want to create a Zombie Apocalypse of last year's Tulsa Oktoberfest, I'm out of luck unless I pony up the $39.99 per year it costs. Granted, that's not a lot of money, but it adds up, and I have to actually use PicMonkey to get the value for my investment.

Fotojet's a little different (http://www.fotojet.com). First of all, it's free. It's somewhat limited, but adding new templates and features seemingly every day.  While it does not have all the cool fonts and design themes (Backyard Cookout, Stars & Stripes, Baby, and Vampires, just to name a few), nor does it have built-in beautifying touchups, it does work well with templates for social media.

It's designed to make your social media have a lot more impact through graphic appeal, and the Facebook and Instagram templates also work well for blog posts and LinkedIn.

Fotojet is also perfect for creating albums and materials for your scrapbooks or collages, and instead of having to host it on Fotojet, you can download the graphics in a number of formats.

I thought I'd try out Fotojet's Collage, Design, and Editing functions to see how they worked on a few of my photos.

Here's a quick collage I made of the a vacation to Lo de Marcos, Nayarit, Mexico. It was a snap to use the online editor to add text.


I used the Design tool to create a header for a social media post, or a digital postcard. It was very simple - I just uploaded my photo to the tool, and started to play.


While exploring the various templates, I happened across a new one on Collages. It is one that allows you to create a comics-themed or graphic novel of your experience. It's quirky and cute, and reminds me a lot of PicMonkey's Comics themed fonts, clip art, etc. What I like about FotoJet is that it introduces a design that helps you keep the process quick and the results uncluttered and professional. As you can see, you have quite a few to choose from. Use of the templates is free, but you must be a registered user.


I played around with the photo editor. In this one, I made the background black and white, and then restored color to my face and neck. Drama on a bleak, winter day. It gave it a Wuthering Heights feel in my opinion. I like it.


In this one, I wanted to emphasize the Wild West feel of the town of Pawnee, Oklahoma, and give the composition a grounded feeling, while also adding a bit of energy and focus. So, I combined a few effects. I like the results! My feeling is that the changes were subtle, but they add an element of interest and visual dynamcs.

Look closely at the building in the background. It was built in the early 1900s and the building stone consists of sandstone bricks. Unfortunately, the 5.6-magnitude Sept 3, 2016 earthquake damaged the buildings. I'm hoping that they will be restored.
 Finally, I returned to the collage tool to see what I could do with more photos of my New Year's Eve in Lo de Marcos, Mexico. It took very little time, particularly since I did not edit or enhance the photos themselves -- I just took them directly from my phone.
I'm very excited about Fotojet, and it will be my "go-to" tool for collages and social media templates. I'm eager to see what new templates will emerge. As far as I can tell, Fotojet is adding a template or two every week or so. It's easy, fun, and free -- and, the images inspire me to write stories, add posts to my social media, and think of the "same old - same old" from a new vantage point.

I love cloud-based tools because I consider them to be true creativity-enhancers and triggers for innovative thought.

And, I have not even gotten into how they can be used in the workplace to create a spirit of unity and enthusiasm!

Wednesday, December 30, 2015

March of the Tiny Sea Turtles

The way the sun said goodbye every night, with a pale green explosion upon entering the liquid red of the Pacific west, made me aware that it ushered in the hour of magic.

It was the hour when there was still light in the horizon, and yet you could still feel the starshine start to sparkle.  A march of tiny turtles... and then there was the trembling of dreams just about to flood your head and your heart.

(March of the tiny turtles....)


I love walking along the beach in the "magic hour" - the hour when the skies assume pinks, grays, and then indigo tones.

Last night, I watched 30 or 40 newly hatched turtles scramble toward the wet part of the sand where they would quickly meet the tide coming in.

March of the tiny turtles...  endangered sea turtles scampering to sea...
Children cheered and urged them on in what had become a heartwarming tradition to combine nature's processes and visiting children's desire to become little guardian angels. The turtles bobbed in the surf, looking all the world like tiny corks, and I wondered how hard their little shells were, and which predators gathered in the darker waters just outside the buoys and the nets and waited for the shower of tiny swimmers.


The skies turned from indigo to a color I could never name, and the moon rose oddly pale and distant. As I continued to walk, I smelled smoke from fires, and the salty warm breeze of a tropical depression far offshore.

The turtles would swim. The waters would move in tides, currents, and waves. And I would return home, my face glowing, my eyes sad, my smile volunteering to be that probably mainly ornamental outer layer to tell the world I mean no harm; I mean to bring joy.

And, I would wonder about what it means to move into the darker waters with only a fragile shell to protect me.

How can we protect each ourselves and each other?  I would do it with memories and beautiful interpretations of the small things we experience every day in our lives. 

*****
And every morning, after witnessing and wishing on the sun setting in the ocean, I awakened to dual, even triple perceptions:

First, I was in the moment, "I'm here and this is my routine; I love drinking cinnamon-infused coffee, eating thick lumpy oatmeal with nuts and raisins, and the tropical fruits that appear in the fruit basket every morning."

Second, I fast-forwarded to the future as I looked back on the moment I'm living now. I will remember always as a special time (although how it is "special" I have not yet determined -- that will be manufactured by the still-life collages and the selfies I'll snap today).

Lo de Marcos, Nayarit, Mexico
 Third, I took an "outside, looking in" approach, "How does this open patio, with its sheer curtains moving like deep inhalations and exhalations in the breeze, the leaves of the bananas and mango trees dipping as geckos and iguanas scamper across in search of fruit, trigger a primordial desire in those who see the scene to come to this garden in search of whatever in their lives they perceive as lost, or at least, riddled with duality?" I am, after all, looking at things from a tourist perspective, and as such, I'm desperate to create meaning (and in doing so, obliterate the interpretive possibilities that make me uncomfortable).

Toward the setting sun, Lo de Marcos, Nayarit, Mexico

Sometimes I wake up dogged by existential angst and doubt. Don't let it show, I think. But, by not sharing, I further cut myself off, and feel sad and disconnected. 

I dare not say anything. My friendships (precious and few), have been hard-won. Sometimes I think they are predicated upon my power to imbue a space with warmth and happiness. Even my best friend tells me he likes me when my voice is cheerful and sweet, and my eyes radiate joy.

Well, I like myself when I'm feeling that way, too. 

   

Wednesday, June 17, 2015

Hed Kandi Sayulita Beach House: Travel-Tourism Economic Development Using Social Media

I love Hed Kandi’s chill and house mixes and eagerly look for them. They evoke a beach and surf vibe and even if I’m squeezed into an economy seat on a sold-out regional jet flight, I am immediately transported to gorgeous places and climates. 

For example, I imagine Sayulita, a bohemian coastal village in the Nayarit Riviera in Mexico close to Puerta Vallarta, famed for its surf and Stand Up Paddle Board (SUP)  competition in May.

In certain times of the year, Sayulita is a mellow place of pink sunsets and glassy waters.

sayulita, nayarit - susan smith nash, ph.d.

However, according to blog posts and reviews, Sayulita was pure enchantment 30 years ago, but has been sullied by crowds and poor infrastructure, as well as a failure to enforce sanitation laws.

This is disappointing to me, and I wonder how many others are like me – they’d love to spend an extended amount of time in a beach community, and perhaps even invest in a house or a business.

Accelerating Private Infrastructure Investment for Economic Development

Perhaps the problem is that of a lack of private investment for infrastructure which is uniformly administered by a board that follows an approved development plan.

sayulita sand tortugas - photo by susan smith nash, ph.d.

Personally, I think it would be a good idea to use templates already in place for development plans. For example, the “Pueblo Mágico” concept in Mexico has resulted in gorgeously maintained villages which are charming and clean. Examples that come to mind in the state of Jalisco are Tapalpa and Tequila.

It would be a good idea to share infrastructure improvements in order to encourage development via social media:
•    tweet new developments
•    post photos of prize winners on Instagram & share
•    use LinkedIn to connect owners of businesses / services
•    post videos of contests & the implementation of new infrastructure on YouTube
•    develop weekly shows to post on YouTube

While it might be tempting to try to shame people into not erecting fences that encroach on public roads, disregarding property lines, leaving piles of mangos and fallen branches to rot, and to letting their dogs run free in the streets and beaches, putting up ugly photos on the web is a very inadvisable strategy that will certainly have unintended negative results. It’s much better to encourage and envision positive change, and reward steps made in the right direction.





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